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Latest ReviewsDesign | Film & TV | Music | Theatre
Sonic’s newest cinematic adaptation has to be one of the most unfunny experience had in a movie theatre in years.
Parasite Review: A genre spinning story that looks at class division through the prism of Black ComedyMiro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2020/01/Parasite-3-1600x899.jpg 800 450
Placing itself at the forefront of the foreign language category this awards season, Parasite, by Korean director Bong Joon-ho (Snowpiercers, Okja), is extremely watchable but by n...
A Hidden Life Review – A sensory experience that makes us question the importance of principles and convictionMiro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2020/01/A-Hidden-Life-FI.jpg 800 534
Based on the true story of Franz Jägerstätter, Terrence Malick’s latest film, A Hidden Life, is another thought-provoking experience.
The build-up to Taika Waititi’s first film after his Marvel debut with Thor: Ragnarok has been as divisive as it was highly anticipated.
It feels appropriate to preface this review by saying that I never read Little Women, I never saw the 1994 adaptation with Winona Ryder and I have no emotional bond to the characte...
This film, The Nightingale by Jennifer Kent, is a punishing watch. The violence of the opening scene might be hard to sit through for a mainstream audience, but it is essential vie...
Ed Thomas' play transfers from the Sherman Theatre over to the Royal Court in London. Daniel Perks reviews the dystopian tale of hope, On Bear Ridge:
Danusia Samal's Out Of Sorts plays at Theatre503 as the 2018 International Playwriting Award winner. Daniel Perks reviews:
Near towards the start of Joker, Arthur Fleck (Joaquin Phoenix) sits in a counselling session, his cigarette burning dangerously close to his fingertips.
Red Palace is an immersive, dark fairy tale, playing at The Vaults with an all-female and non-binary cast this autumn. But does it match up to the classics? Daniel Perks reviews: