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Design | Film & TV | Music | Theatre

The Light in the Piazza – a continental love story

A beautifully orchestrated theatrical piece - a story centred on whimsical romance, transporting the audience to 1950’s Florence. Jonathan Penney reviews:

Review: I Know My Husband Loves Me

A couple brought together by activism are put to the test after the confession that they fall on opposing sides. But the resulting tension doesn't translate onto stage. Daniel...

Music Box Festival 2019: The Highlights

Miro Magazine’s Coral Daniels checks out the electrifying Northern talent at Darlington’s Music Box festival. Here are her festival highlights:

The Process Trilogy – an individual film edited to fit the fears of its audience

On the 28th April 2019 Chewboy Productions brought their own brand of surrealist humour to a startled, and underprepared, audience at Loughborough Junction’s Whirled Cinema.

GIG REVIEW: Normandie at the Deaf Institute Manchester

Swedish band Normandie’s ‘White Flag’ tour kicked off at Deaf Institute, in Manchester, the gig was clearly extremely special to them as they took the time to thank everyone from t...

GIG REVIEW: Swedish Band Holy Now at The Castle Hotel in Manchester

In a tiny back room of the Castle Hotel in Manchester’s Northern Quarter, dreamy indie-pop four-piece Holy Now proved that they are destined for greatness with their euphoric choru...

REVIEW: Maisie Bourke Debut EP ‘Act Your Age’

Hanging onto the tether between adolescence and adulthood rests the debut EP “Act Your Age” from the youthful Londoner: Maisie Bourke. It’s full to the brim, in terms of potential;...

The Crucible, the first Yard revival, for modern times

The Crucible comes to Hackney Wick in 2019. Sophie Talbot review Arthur Miller’s urgent account of a community torn apart by the power of fear, directed by Artistic Director Jay Mi...

Spick and span on the surface – Home, I’m Darling

In the midst of Olivier nominations, Home, I'm Darling continues its UK tour with Katherine Parkinson in the lead - a masterful turn. Emily Garside reviews:


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