In category: Film & TV
Greta Review: Farcical psycho-thriller with unexpected laughs
Miro Magazine
http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/04/G-1.jpg 800 534 We begin with an overtly romantic score, set back in the early 20th century, and are introduced to Chloë Grace Moretz's Frances McCullen serving as a waitress in an upper-clas...
A Line Birds Cannot See Review: A harrowing true tale of lost innocence
Miro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/04/Screen-Shot-2019-03-19-at-13.50.05-min.png 800 449 Immigration is a hot topic in the current climate, especially in Donald Trump's United States of America.
UNRESTRICTED VIEW FILM FESTIVAL 2019
Miro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/04/Automata-3-min-1600x688.png 800 344 North London based ‘Unrestricted View Film Festival’ have announced their 2019 programme for its fourth year.
Peggy Review: A polarising watch that has hits and misses
Miro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/03/Peggy_2k_180514_Still006-1600x900.jpg 800 450 Justin O’Neal Miller’s Peggy is a truly polarising watch, its obvious strengths serving the unfortunate purpose of making its weaknesses all the more infuriating.
Interview: Rising star Aisling Franciosi chats to Miro about new feature The Nightingale
Miro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/03/4-1.jpg 800 345 The star of the newest film by Australian director Jennifer Kent is as European as can be. Half-Irish and half-Italian, Aisling Franciosi takes up the lead role in upcoming feature...
Sharkwater Extinction Review: Forget Jaws, humans are the real villains in Rob Stewart’s latest exposé on the illegal shark fin trade
Miro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/03/SW-E-1-min.jpg 800 412 Sharks. Are they violent, man-eating predators or majestic, underwater creatures in desperate need of protection? This polarising question is at the heart of the new documentary fr...
KINOTEKA POLISH FILM FESTIVAL – 2019 Schedule Announcement
Miro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/03/MY-FRIEND-POLISH-GIRL-Barbies-min-1600x900.jpg 800 450 KINOTEKA Polish Film Festival in London (4 - 18 April) has today announced its programme for the 17th edition of the festival, showcasing an exhilarating range of new Polish cinema...
Jellyfish Review: James Gardner’s impressive debut finds a diamond in some serious rough
Miro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/03/JF2-min-1600x899.jpg 800 450 In an age where we have had no shortage of hard-knocks stories, James Gardner’s debut feature Jellyfish manages to take this trope and spin it in such a way as to create a characte...
RBG Review: Honouring the Supreme Court’s trailblazer of gender equality
Miro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/03/18082-2-1100-min.jpg 800 450 There are few Americans who have had such a long-term effect on the state of their nation, relentlessly giving everything to improve the rights of the everyday person, making their...
Styx Review: A rhetorical feature with a story perhaps more suited to a documentary
Miro Magazine http://www.miromagazine.com/wp-content/uploads/2018/03/3-small-white-logo.png 270 200 http://www.miromagazine.com/wp-content/uploads/2019/03/201814439_2_-_h_2018.jpg 800 451 Wolfgang Fischer’s new documentary-style feature film, focusing on the indifference of the Western World towards the refugee crisis, is emotive through rhetorical analysis on a mor...