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Parasite Review: A genre spinning story that looks at class division through the prism of Black Comedy

Placing itself at the forefront of the foreign language category this awards season, Parasite, by Korean director Bong Joon-ho (Snowpiercers, Okja), is extremely watchable but by n...

A Hidden Life Review – A sensory experience that makes us question the importance of principles and conviction

Based on the true story of Franz Jägerstätter, Terrence Malick’s latest film, A Hidden Life, is another thought-provoking experience.

Jojo Rabbit Review: Waititi’s comedy is most definitely funny, despite the heavy subject matter

The build-up to Taika Waititi’s first film after his Marvel debut with Thor: Ragnarok has been as divisive as it was highly anticipated.

Little Women Review: It’s the Jo and Amy show now in 19th Century classic

It feels appropriate to preface this review by saying that I never read Little Women, I never saw the 1994 adaptation with Winona Ryder and I have no emotional bond to the characte...

The Nightingale Review: A tough, relentless, but necessary watch

This film, The Nightingale by Jennifer Kent, is a punishing watch. The violence of the opening scene might be hard to sit through for a mainstream audience, but it is essential vie...

Joker Review: Bold, daring and unpredictable, much like the clown himself

Near towards the start of Joker, Arthur Fleck (Joaquin Phoenix) sits in a counselling session, his cigarette burning dangerously close to his fingertips.

The Process Trilogy – an individual film edited to fit the fears of its audience

On the 28th April 2019 Chewboy Productions brought their own brand of surrealist humour to a startled, and underprepared, audience at Loughborough Junction’s Whirled Cinema.

Greta Review: Farcical psycho-thriller with unexpected laughs

We begin with an overtly romantic score, set back in the early 20th century, and are introduced to Chloë Grace Moretz's Frances McCullen serving as a waitress in an upper-clas...