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The Woods – equal parts warmth and despair

Robert Alan Evans' The Woods is a murky, twilight production, on the fringes of nostalgia and horror. Playing at the Royal Court Upstairs, Daniel Perks reviews this complex tu...

Blood Wedding – classic tragedy reimagined with unwavering vigour

George Richmond-Scott’s reimagining of Lorca’s classic tragedy delivers a dark, contemporary London with unwavering vigour. Josh Brown was at the Omnibus Theatre for Miro.

Review – Grace Carter’s ‘Saving Grace’ EP

Following her tour with Dua Lipa, Grace Carter has released her debut EP 'Saving Grace' and Miro newcomer Madeline Royle can tell you; "She is fresh, she is unique, and s...

Review – Rend Collective and Guvna B at the Cardiff Great Hall

When one thinks of Christian music, an idea springs to mind of organs, hymn-books and a warbling choir in a cold, old church. On 10th May in Cardiff’s Great Hall, Rend Collective a...

Album Review, Lonely The Brave; Redux

Elliot Baker revels in the maturity and industry of Lonely The Brave as they revisit their second LP, Things Will Matter, on its reworked sibling, Redux. It takes an immense amoun...

Album Review, Classique; “Reminisce”

Miro Contributor Camille Lapaix dusts off her phonograph and immerses herself in Reminisce, the debut album from classical crossover duo, Classique. A collection of vintage Hollyw...

Gig review: HMLTD play ‘Hell’ at Electric Ballroom

HMLTD created ‘Hell’ at the Electric Ballroom in Camden last night, but if you’re into leather, chokers, bloodied masks, entrails, and post-punk anarchist vibes, it was a polluted,...

Album Review, The Lafontaines; “Common Problem”

Elliot Baker tries to solve the Common Problem of The Lafontaines, all the while dodging rapid-fire lyrics and riding a brave wave of sound.

Scouting For Girls, 10 Years Later

10 years after the release of Scouting for Girls, Jonny Arnold revisits and analyses the success of the pop trio, and looks at where their sound has gone since 2007. Ten years on,...