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Bobby & Amy: the quiet devastation of two teenagers in a rural town

A quiet and heartbreaking tale about childhood friendship against a backdrop of fear and uncertainty. Maggie Kelly reviews Bobby & Amy:

Bible John – serial killers, true crime, female victimhood

A disappointingly thin analysis of female victimhood by the Charlie Hartill Theatre Reserve Award winners for 2019. Maggie Kelly reviews Bible John:

Wholesome slapstick and innocent hilarity in Fishbowl

A return to classic slapstick fun, Fishbowl is driven by its impressive set design and strong comedic timing, even if the narrative gets lost among it all. Katherine Knight reviews...

The War Of The Worlds, resonating today as a timeless classic

This isn’t The War of the Worlds that many will know and love. But with slick execution and an eerily relevant script, the aliens prove to be the least unnerving enemy within this ...

The Accident Did Not Take Place… we think…

Katherine Knight attempts to grapple with the latest offering from YESYESNONO, an experimental multimedia piece that seemingly defies explanation. The Accident Did Not Take Place:

The Incident Room – police stumbling over an infamous case

The infamous Yorkshire Ripper, eventually caught after a manhunt lasting years. Maggie Kelly reviews The Incident Room, the control room for the bumbling police investigation:

Liz Richardon’s Swim, a refreshing plunge into wild waters

Liz Richardson's Swim highlights the refreshing and ever-growing discipline of wild swimming. She takes two theatremakers on their first dip into the icy waters. Daniel Perks ...

Edinburgh 2018 Spotlight – Freeman

The world's biggest arts festival, Edinburgh Fringe 2018, is here! We catch up with performer Pip Barclay, bringing Freeman to this year's festival: